“Initially inspired by the first wave of industrial bands and the ethos of DIY pioneers like the Desperate Bicycles and Scritti Politti, Nag and Bendle played their first gig and recorded their first single sometime before they bothered to rehearse. Playing with an ever-changing lineup TDATW became first gradually rhythmic and then melodic. Mark Perry became a third permanent member. Unhappy to remain in one musical ghetto, they inhabited several – playing gigs with post punks and ska bands, playing free tours with idealist hippies and gradually becoming deeply involved with the London Musicians Collective. They co-produced a magazine about the politics of record production, hosted the seminal “Jazz Punk Bonanza” festivals of 1980, ’82 and ’86 and ran the weirdly eclectic sprouts conspiracy Cabaret Club. Nag and Bendle also played in The 49 Americans and The Liberated Sound Octet, Nag played with Mark Perry and Karl Blake in The Reflections and Bendle with The Casual Labourers and The Late Music Group.”
Nag, The Door & Bendle, The Window
“Having faithfully followed D.I.Y.'s minimum prescriptions for musicianship (none, initially: they learnt as they went), production values (ditto), and packaging (blank labels with stickers, hand-folded sleeves, thank-you credits listing just themselves), Nag and Bendle took it all one step further by abandoning all pretext of melody. (Their lyrics remained enjoyable but conventionally witty/Marxist/anti-rockist.) After two resolutely unhummable EPs on their NB label (for 'Nag & Bendle'), The Door and the Window's glorious din had annoyed and enraged much the press and large segments of the DIY 'establishment' as well… but it was pure aural catnip for anti-pop icon Mark Perry (Sniffin Glue/ATV) who promptly recorded two similarly tune-free 45s for NB –and modestly accepted a position as The Door and the Window's drummer. This line-up recorded TDATW's landmark LP, Detailed Twang.” Chuck Warner (Hyped to Death)
The Door and the Window – Part Time Punks
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